We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

GHOSTS

by Jim Woodland

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £7 GBP  or more

     

  • Compact Disc (CD) + Digital Album

    Comes in a colourful card case vacuum sealed.

    Includes unlimited streaming of GHOSTS via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      £8 GBP or more 

     

1.
Dangerous 03:17
Dear Mother I’m in a terrible state Not as good as I could be Dear Mother I don’t get too much to say But that’s just as it should be. There’s a man in this cell Says its only common sense Why do you need a trial if you’re innocent? Dear father I never done nothing at all You do believe me don’t you? Father I’ve got my back to the wall Come and visit me won’t you There’s a man in this cell and he looks a bit like you He’s only 22 and he’s already dying. I think I must be dangerous I think I must be dangerous I think I must be dangerous For people like you and me. Dear doctor I’m in a terrible way With all the things you pump in me I know there was something I wanted to say But there’s so much rubbish within me I know I stepped out of line You’re re-educating me Devastating evacuating, I can’t see Dangerous. I think I must be dangerous I think I must be dangerous I think I must be dangerous For people like you and me. It must be I’ve done something wrong The way they’re treating me Could it be I disagree With the powers that be… Dangerous. I think I must be dangerous I think I must be dangerous I think I must be dangerous For people like you and me. You and me You and me You and me © Jim Woodland
2.
He was a teacher of some degree Teaching English as it should be spoke. Teaching everybody to talk like him. Must be some kind of a joke. When we met I said 'Hello' He said 'Somebody spoke. Was it you?' I said 'Thankyou'. He said 'Suit yourself'. I said 'I always do'. I talk like that. I talk like that. I talk like that. I talk like that. I’ve got no choice! We started again about rain in Spain And what some cat did on a mat. I said 'How now?' to this brown cow But I couldn't relate to all that. He told me 'English is perfectly painless'. I thought I'd like to choke him. He said 'That's easy for you to say' I said 'You must be joking'. I talk like that. I talk like that. I talk like that. I talk like that. I have to! I said 'Look, if I wrote I could give you a note Or a telegram might do instead'. He said 'Here's an idea, you could make yourself clear with a note! ...Is that what you said?' With a tear in his eye he started to cry and he fell down to his knees. He cares about the Queens English... I couldn't care if she's Chinese. I talk like that. I talk like that. I talk like that. I talk like that. I may be common as muck That’s my good luck…. © Jim Woodland
3.
Me & Betty 03:10
Me and Betty sitting on a bench I’m down in the mouth She’s up at the other end Between us like a very old friend Sits my shadow I’m talking to him I say Tell her I love her pass it on He says Tell her yourself I said will you please Tell her I love her pass it on He says Tell her yourself I talk to my shadow And he passes things along But I heard him and Betty talking yesterday And some of the things he said were wrong I said Tell her I love her pass it on He says Tell her yourself I said will you please Tell her I love her pass it on He says Tell her yourself I know I should talk to Betty That’s something that I should do I really want to tell her That I never told a lie But I just can’t tell the truth So I say tell her I love her pass it on He says tell her yourself I said will you please Tell her I love her pass it on? Tell her yourself Betty! Betty! Where are you? You can’t see me over here. Talking to my shadow. Well he looks like me. He’s not really me. He never says how much I care… So I say Tell her I love her pass it on. Tell her yourself. I said will you please Tell her I love her pass it on Tell her yourself So now we’re sitting here Like Morcambe and Wise Like Burke and Hare Like Jekyll and Hyde I know my shadows telling her lies About me…. It’s like roller skating over a mattress Like tap dancing in my bed Like talking with a flannel wrapped around my face I turned to my shadow And I said just once more Tell her I love her pass it on Tell her yourself I said will you please Tell her I love her pass it on Tell her yourself Now Betty’s gone to Clapham Town That’s somewhere she likes to hide I really should have told her how much I care I couldn’t find the lies to say how much I care You should have told her that I love her You should have told her yourself You should have told her I care You should have told her that I love her Well she’s gone now… Oh yeh…….. © Jim Woodland
4.
In the dark, in the dark Something wriggling through his heart Tonight, tonight. There’s a game that he plays to keep you all so far away Is it you or a stranger here tonight. You will act out all your lines the way you done so many times The things you said, the things you said. In the dark and in the gloom Shortly he will wreck his room He will wreck his room and wreck his head. And he wonders why Men don’t cry If he could cry like you do He’d be crying too. But he just sits there in the shade Ice slides through his heart like a blade like a blade You have acted out your heart Like a statue he just played a part Like a picture hanging on the wall. But there’s this shadow deep inside goes looking for a place to hide. And he’s screaming, deep inside. And he wonders why Men don’t cry If he could cry like you do He’d be crying too. If he could cry like you do He’d be crying too. He will sleep in a while Ice forms around his smile Tonight, tonight In the dark and in the gloom There’s something nasty wriggling through his room Tonight… And he wonders why Men don’t cry If he could cry like you do He’d be crying too. And he wonders why Men don’t cry If he could cry like you do He’d be crying too. If he could cry like you do He’d be crying too… © Jim Woodland
5.
6.
We Are Safe 05:01
The street is lit from end to end Twenty four hours a day. There's soldiers standing at both ends Just in case... Atomic sunshine atomic rain They say there is no waste at all. But late at night I've heard the trains Sneak by behind a wall. And they say 'We are safe we are defended.' How does it feel to be so secure? 'We are safe we are defended.' These days you can never be too sure. From time to time the searchlights shine Right into the room. And barbed-wire shadows hang like lines Of music across the room. And they say 'We are safe we are defended.' How does it feel to be so secure? 'We are safe we are defended.' These days you can never be too sure. The street is lit from end to end Twenty four hours a day. But now the darkness never ends It just looks like the day And they say 'We are safe we are defended.' How does it feel to be so secure? 'We are safe we are defended.' These days you can never be too sure. © Jim Woodland 'We are safe we are defended.' How does it feel to be so secure? 'We are safe we are defended.' But these days... I don't really feel so sure.
7.
Don't Jump 03:21
When the lift tips you out on the top floor The lieutenant says it's time for you to talk. You're walking in a daze like a robot to the roof Talking to yourself as you walk. Now the lights in the city wash around your feet Like plastic bottles burning on the shore. And the night in the city says 'Well come on in. The water can be lovely and warm' Don't jump unless you mean it. It takes a long time before you hit the ground. There is time as you fall for you to change your mind What if it happens when you're on your way down? When your problems line up like a dole queue And night time falls around you like a hole. When the morning hits you like a policeman. Standing upright gives you vertigo. I've seen the clock on the wall say ‘it's 1984!’ And you've been here since 1979. Do you curl up and die or give it a try. Do you ever really make up your mind. Don't jump unless you mean it. It takes a long time before you hit the ground. There is time as you fall for you to change your mind What if it happens when you're on your way down? When the computer chews up your cheque card And writes to tell your mother you just died. Though you're trying to deny it she calls you a liar. Down-graded to unclassified. And the cop who takes you up to the top floor Is just a chip off the old H-Block. He looks you in the eye Takes off his hat and smiles and says 'Jump, all charges will be dropped'. He says 'Jump, all charges will be dropped'. Don't jump unless you mean it. It takes a long time before you hit the ground. There is time as you fall for you to change your mind What if it happens when you're on your way down? Dont you jump! © Jim Woodland
8.
I got this dirty job in a dirty town. Started at the bottom Now I think I'm going down. I said 'With what I know I'm well in touch'. But the Boss said 'Kid, you know too much'. The Boss said 'Kid, you know too much'. He said 'Kid, you know too much. I've met you're type before'. And I said 'Look... I've got this friend says he's doing alright. You know what I mean? You know what I mean? Alright?' The Boss said 'Cheer up Kid, things could be worse'. So I cheered up kid. And things got worse. After sixteen years I was just about losing my nerve. The Boss said 'Kid, you should be pleased'. The Boss said 'Kid, you should be pleased'. He said 'Kid, you should be pleased to serve. This is a bloody good job and besides it's all you're worth'. I said ‘I've got this friend says he's doing alright. You know what I mean? You know what I mean? Alright?' One day the Boss said 'We need some people to be out of work.' He said 'You, you, you and you.' He said 'You, you, you and you.' He said 'You, you, you and you lot just volunteered. I know this is not your fault there's no need to shout. But now you're unemployed and I don't like layabouts.' He called the police and they threw us out. But I said 'I've got this friend says he's doing alright. You know what I mean? You know what I mean? Alright?' It was sixteen weeks since we tasted a loaf of bread. I don't like cake, but I swallowed my pride instead. Standing in this social security queue. I thought I saw a face. I thought I saw a face. I thought I saw a face of somebody there that I knew. It was my friend down there too! In the queue! I said 'It's you'. I said ‘My names Sue How do you do?' But there was something not quite right! Something not quite right! There was something going wrong! I had to think! La La La! La La La, La La, La La! Think! La La La! La La La, La La, La La! I had to think! Think! Think! Think! La La La! La La La, La La, La La! I had to think! La La La! La La La, La La, La La! I said 'I thought you said you was doing alright' He said 'Well fuck it'. You know what I mean? Alright? © Jim Woodland
9.
Ghost Story 04:27
I've come here tonight to tell you what all of you should know. I was murdered in the Falklands. I knew I shouldn't go. And when you tell the stories of why I died and how. Don't say you've never met my ghost. You're looking at it now. I have walked back over the water just to take a look around. I can see that nothings altered since the day that I went down. The old are not defended, and the young don't get a start. The rich get rich and richer. Its enough to break your heart. I have slammed the doors in Downing street enough to raise the dead. Well if I really died in vain, then something should be said. One night I raised the living, and she told me why I died. She scared me so I had to go. I didn't sleep that night. Cause the things I died defending, are the things I valued least. Tell me am I a ghost of war? Am I a ghost of peace? And when you fight for freedom be careful and be sure. Did I die defending freedom?. Did I die defending war? We sailed into Saint Carlos in the middle of a raid. And my friend Charlie crossed himself well, he was so afraid. The oil in the water was smoking like a town. I was burned in the water, trying not to drown. But you don't believe I am a ghost. I can see it in your eyes. Do you think that ghosts just scream and rattle chains all through the night? Well I left the chains that bind us, where I left the rest of me. It was chains took me down In the South Atlantic Sea. There were chains made of money. The best that you can buy. Chains made of newspapers... They were chains made of lies. Chains of employment and chains on the dole. And if they could I know they would Put chains around my soul... So I've come here tonight to show you What all of you should see. I think you should be frightened But don't be scared of me. I'll say goodbye to England The land that wasted me. I'm going back to the Malvinas Before I start to...scream..... © Jim Woodland
10.
Why are you dead if you didn't want to be so? I only ask 'cause we took such trouble with your clothes and food and the like And you didn't try to leave. So if you liked us all that much Why did you die. Three days before my birthday You could have said If you didn’t want to buy me presents Dying just seemed A little bit excessive. And anyway we missed the point So why did you die? Were you trying to unhinge old uncle Sid? Or was it something Granny's kittens did? Or were you just trying to spoil my birthday party? It didn't work. You weren't invited anyway. And even if you were we didn't really mean it. So if you did it out of spite We didn't mind a bit. Were you trying to express your inner self? Or was it just a vicious little dig At somebody else? Now you are dead there's no room for complaining. It's for the best. Besides… you're sort of stuck with it. And I'll fill the gap that you left by spending money. And Granny's bought this whippet And it takes your place a bit. But I hope you know the neighbours think we're odd. I hope you're bleeding satisfied. You rotten little sod. But why did you go and never said goodbye? And if you liked us all that much Why did you die? Everybody loves you when you're dead. Everyone remembers what you said. When you're dead. When you're dead. When you're dead... © Jim Woodland
11.
Broken Eyes 03:40
My broken eyes still see you in the mirror. In my broken dreams I hold you through the night. My broken heart still loves you like a lover. Don't we ever, ever get it right... Your photographs are fading in the moonlight You will soon be out of mind and out of sight. I'm looking for the sunshine in my future But I think I must be blinded by the light. My broken eyes still see you in the mirror. In my broken dreams I hold you through the night. My broken heart still loves you like a lover. Don't we ever, ever get it right... I will throw away the flowers as they crumble. I will keep no place for things that I can't hold. But I close my eyes and I feel my spirits tremble. I swear I felt you walking through my soul. My broken eyes still see you in the mirror. In my broken dreams I hold you through the night. My broken heart still loves you like a lover. Don't we ever, ever get it right... © Jim Woodland

about

The concept behind this album was that I wanted it to be challenging musically and in terms of narrative content. I had been working extensively with the Fabulous Salami Brothers at Folk Festivals and political events and wanted to challenge both establishments. And now I was working with a brilliant musician Peadar Long. At the heart of this project was my belief that the personal is political and the political is personal. The songs are a collection from my time working on the streets with Hit and Run theatre, working with Red Rinse on the London pub circuit, and within all this my search as a man for a meaningful response to patriarchy. Recently one of my adult sons pointed out to me that the songs seem to be autobiographical, and I think he's right. All my songs are about me and this collection, while being about political issues that were current at the time including unemployment, depression, nuclear power, and war, is also significant in tracking my experiences of growing from child to grown man and finding a voice along the way. It starts with the words “Dear Mother…” and ends with “Don't we ever get it right?...” The personal is political. And in my work, the political is always, always personal…
Jim Woodland

credits

released June 15, 2022

Recorded & Mixed at
Strand Studios London
In February 1987

All songs made up by Jim Woodland
'Ghosts' tune written by Peadar Long

Jim Woodland: Guitar, Vocals
Peadar Long: Saxophones, Flutes, Effects, Percussion & Whistle.
Paul Wix: Keyboards & Drums
Bob Ward: Producer
Mike Benn: Engineer
Marilyn Butcher: Artwork & Design
George Solomonides: Original Photography
Ian Spalding: Video Effects
Peter Faro: Cover Photograph
Digitised by Jon Harvison at Quarry Cottage Studios 2021

license

all rights reserved

tags

about

Jim Woodland UK

Hit & Run Street Theatre in the 1980's, Punk Band Red Rinse in the 90's, Fabulous Salami Brothers, Songwriter for Mikron Theatre and Blaize for 20 years, performing solo, and with the Anti-Capitalist Roadshow.
Political, social, emotional songs and plays. Watch this space. Latest collection here and back catalogue to follow. Welcome to Band Camp and on we go...
... more

contact / help

Contact Jim Woodland

Streaming and
Download help

Redeem code

Report this album or account

If you like Jim Woodland, you may also like: